{"id":3670,"date":"2026-05-13T07:18:07","date_gmt":"2026-05-13T07:18:07","guid":{"rendered":"https:\/\/qrrevista.com\/?p=3670"},"modified":"2026-05-13T07:18:09","modified_gmt":"2026-05-13T07:18:09","slug":"sony-revela-afiche-oficial-de-verity-la-sombra-de-un-engano","status":"publish","type":"post","link":"https:\/\/qrrevista.com\/es\/sony-revela-afiche-oficial-de-verity-la-sombra-de-un-engano\/","title":{"rendered":"Sony revela afiche oficial de \u201cVerity: La sombra de un enga\u00f1o\u201d"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><strong>Sony Pictures<\/strong> acaba de lanzar el p\u00f3ster oficial de <strong>&#8220;Verity: La sombra de un enga\u00f1o&#8221;<\/strong>, la adaptaci\u00f3n cinematogr\u00e1fica de la exitosa novela de suspense escrita por Colleen Hoover. El afiche apuesta por una est\u00e9tica oscura e inquietante, reforzando el tono psicol\u00f3gico y misterioso que ha convertido a la historia en uno de los thrillers m\u00e1s esperados del a\u00f1o. La imagen destaca a sus protagonistas en una atm\u00f3sfera cargada de tensi\u00f3n, insinuando los secretos y peligros que rodean a la familia Crawford.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dirigida por <strong>Michael Showalter<\/strong>, la pel\u00edcula sigue a<strong> Lowen Ashleigh<\/strong>, una escritora contratada para terminar la famosa saga literaria de <strong>Verity Crawford <\/strong>tras un misterioso accidente. Sin embargo, al instalarse en la mansi\u00f3n familiar, descubre perturbadores manuscritos que comienzan a desdibujar la l\u00ednea entre la verdad y la manipulaci\u00f3n. Con un elenco encabezado por Anne Hathaway, Dakota Johnson y Josh Hartnett, la cinta promete convertirse en uno de los estrenos m\u00e1s comentados entre los amantes del suspenso y las adaptaciones literarias.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1350\" src=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?fit=819%2C1024&amp;ssl=1\" alt=\"\" class=\"wp-image-3675\" srcset=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=770%2C963&amp;ssl=1 770w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=10%2C12&amp;ssl=1 10w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=323%2C404&amp;ssl=1 323w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=800%2C1000&amp;ssl=1 800w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=390%2C488&amp;ssl=1 390w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><noscript><img fetchpriority=\"high\" decoding=\"async\" width=\"1080\" height=\"1350\" src=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?fit=819%2C1024&amp;ssl=1\" alt=\"\" class=\"wp-image-3675\" srcset=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=770%2C963&amp;ssl=1 770w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=10%2C12&amp;ssl=1 10w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=323%2C404&amp;ssl=1 323w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=800%2C1000&amp;ssl=1 800w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS-1.jpg?resize=390%2C488&amp;ssl=1 390w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/noscript><\/figure>","protected":false},"excerpt":{"rendered":"<p>Sony Pictures acaba de lanzar el p\u00f3ster oficial de &#8220;Verity: La sombra de un enga\u00f1o&#8221;, la adaptaci\u00f3n cinematogr\u00e1fica de la exitosa novela de suspense escrita por Colleen Hoover. El afiche apuesta por una est\u00e9tica oscura e inquietante, reforzando el tono psicol\u00f3gico y misterioso que ha convertido a la historia en uno de los thrillers m\u00e1s esperados del a\u00f1o. La imagen destaca a sus protagonistas en una atm\u00f3sfera cargada de tensi\u00f3n, insinuando los secretos y peligros que rodean a la familia [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3673,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"_joinchat":[],"footnotes":""},"categories":[43],"tags":[112,111,317],"class_list":["post-3670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","tag-cartelera","tag-cine","tag-sony-pictures"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/05\/VER_INTL_Online_1080x1350_02_LAS.jpg?fit=1080%2C1350&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts\/3670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/comments?post=3670"}],"version-history":[{"count":2,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts\/3670\/revisions"}],"predecessor-version":[{"id":3676,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts\/3670\/revisions\/3676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/media\/3673"}],"wp:attachment":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/media?parent=3670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/categories?post=3670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/tags?post=3670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}