{"id":5626,"date":"2026-08-26T19:10:12","date_gmt":"2026-08-26T19:10:12","guid":{"rendered":"https:\/\/qrrevista.com\/?p=5626"},"modified":"2026-08-26T19:10:14","modified_gmt":"2026-08-26T19:10:14","slug":"el-gran-final-de-cien-anos-de-soledad-ya-esta-en-netflix","status":"publish","type":"post","link":"https:\/\/qrrevista.com\/es\/el-gran-final-de-cien-anos-de-soledad-ya-esta-en-netflix\/","title":{"rendered":"El Gran Final de\u00a0&#8220;Cien a\u00f1os de soledad&#8221;\u00a0ya est\u00e1 en Netflix"},"content":{"rendered":"<p class=\"wp-block-paragraph\">La adaptaci\u00f3n de<em>\u00a0<\/em><strong>&#8220;Cien a\u00f1os de soledad&#8221;\u00a0<\/strong>culmina su transici\u00f3n a la pantalla, llevando por primera vez a un formato audiovisual esta emblem\u00e1tica historia que ha marcado a distintas generaciones. Filmada \u00edntegramente en Colombia y en espa\u00f1ol, la serie cuenta con el apoyo de la familia Garc\u00eda M\u00e1rquez y con el trabajo de cientos de artistas, artesanos, t\u00e9cnicos y profesionales, colombianos mayoritariamente,\u00a0 que hicieron posible construir el universo de Macondo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dirigida por&nbsp;<strong>Laura Mora<\/strong>, la inolvidable etapa final de la familia Buend\u00eda cobra vida en un impresionante episodio concebido a escala cinematogr\u00e1fica. Esta \u00faltima entrega marca el desenlace definitivo de Macondo, recordando que las estirpes condenadas a cien a\u00f1os de soledad no ten\u00edan una segunda oportunidad sobre la tierra. El Gran Final, titulado<em>&nbsp;Cien a\u00f1os de soledad<\/em>&nbsp;en homenaje a la novela original, re\u00fane a un destacado elenco encabezado por&nbsp;<strong>Margarita Rosa de Francisco&nbsp;<\/strong>(Fernanda del Carpio en su madurez),&nbsp;<strong>Emmanuel Restrepo<\/strong>&nbsp;(Jos\u00e9 Arcadio \u201cel papa\u201d),&nbsp;<strong>Estefan\u00eda Pi\u00f1eres<\/strong>&nbsp;(Amaranta \u00darsula) y&nbsp;<strong>Sebasti\u00e1n Osorio<\/strong>&nbsp;(Aureliano Babilonia).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?fit=1024%2C683&amp;ssl=1\" alt=\"\" class=\"wp-image-5630\" srcset=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=18%2C12&amp;ssl=1 18w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=360%2C240&amp;ssl=1 360w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1155%2C770&amp;ssl=1 1155w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=400%2C267&amp;ssl=1 400w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1185%2C790&amp;ssl=1 1185w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=323%2C215&amp;ssl=1 323w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1430%2C953&amp;ssl=1 1430w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=120%2C80&amp;ssl=1 120w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=240%2C160&amp;ssl=1 240w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=390%2C260&amp;ssl=1 390w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><noscript><img fetchpriority=\"high\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?fit=1024%2C683&amp;ssl=1\" alt=\"\" class=\"wp-image-5630\" srcset=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=18%2C12&amp;ssl=1 18w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=360%2C240&amp;ssl=1 360w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1155%2C770&amp;ssl=1 1155w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=400%2C267&amp;ssl=1 400w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1185%2C790&amp;ssl=1 1185w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=323%2C215&amp;ssl=1 323w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=1430%2C953&amp;ssl=1 1430w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=120%2C80&amp;ssl=1 120w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=240%2C160&amp;ssl=1 240w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN90-16636_R-scaled.jpg?resize=390%2C260&amp;ssl=1 390w\" sizes=\"(max-width: 1300px) 100vw, 1300px\" \/><\/noscript><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cMe gustar\u00eda que la gente pudiera ver a Macondo como un espejo, que podamos reconocer nuestros fracasos y nuestra humanidad en sus personajes y en ese universo tan complejo. Que podamos encontrar la belleza y la poes\u00eda que existen incluso en los momentos tr\u00e1gicos, y que la serie nos invite a seguir imaginando, pensando y, ojal\u00e1, a volver al libro. Creo que ah\u00ed est\u00e1 la potencia del cine y el lugar en el que la literatura y el cine se encuentran: en esa capacidad po\u00e9tica de hacernos sentir y pensar algo distinto sobre lo que somos como individuos y como sociedad. Hacer este episodio como una pel\u00edcula es tambi\u00e9n una forma de homenajear el amor que Gabriel Garc\u00eda M\u00e1rquez sent\u00eda por el cine\u201d,<\/em>\u00a0afirm\u00f3 Laura Mora, <strong>directora de &#8220;Cien a\u00f1os de soledad&#8221;<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cEl viaje que hemos vivido en Netflix con la adaptaci\u00f3n de la obra seminal colombiana nos ha permitido llevar a Colombia y al mundo una de las obras audiovisuales m\u00e1s ambiciosas jam\u00e1s llevadas a cabo en Latinoam\u00e9rica y en muchas partes del mundo, pensar que esto lo hemos hecho mayoritariamente con talento colombiano no es m\u00e1s que una muestra clara de que lo que sobra en Colombia es talento y lo que faltaba eran oportunidades. Netflix continuar\u00e1 apostando por Colombia, con hechos como \u00e9ste. Este episodio final es simplemente una obra magistral de la cineasta colombiana Laura Mora.\u201d&nbsp;<\/em>asegur\u00f3 Francisco Ramos, vicepresidente de contenidos de Netflix para Latinoam\u00e9rica.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?fit=1024%2C683&amp;ssl=1\" alt=\"\" class=\"wp-image-5631\" srcset=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=18%2C12&amp;ssl=1 18w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=360%2C240&amp;ssl=1 360w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1155%2C770&amp;ssl=1 1155w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=400%2C267&amp;ssl=1 400w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1185%2C790&amp;ssl=1 1185w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=323%2C215&amp;ssl=1 323w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1430%2C953&amp;ssl=1 1430w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=120%2C80&amp;ssl=1 120w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=240%2C160&amp;ssl=1 240w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=390%2C260&amp;ssl=1 390w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><noscript><img decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?fit=1024%2C683&amp;ssl=1\" alt=\"\" class=\"wp-image-5631\" srcset=\"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=18%2C12&amp;ssl=1 18w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=360%2C240&amp;ssl=1 360w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1155%2C770&amp;ssl=1 1155w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=400%2C267&amp;ssl=1 400w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1185%2C790&amp;ssl=1 1185w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=323%2C215&amp;ssl=1 323w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=1430%2C953&amp;ssl=1 1430w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=120%2C80&amp;ssl=1 120w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=240%2C160&amp;ssl=1 240w, https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN51-14567_R-scaled.jpg?resize=390%2C260&amp;ssl=1 390w\" sizes=\"(max-width: 1300px) 100vw, 1300px\" \/><\/noscript><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>Sinopsis del Gran Final de\u00a0<em>Cien a\u00f1os de soledad<\/em><\/u><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u00f1os despu\u00e9s, Aureliano Babilonia permanec\u00eda encerrado bajo el yugo de Fernanda del Carpio y dedicaba sus horas a descifrar los manuscritos de Melquiades. Tras la muerte de Fernanda, reaparecer\u00e1 Jos\u00e9 Arcadio \u201cel papa\u201d quien decide volver de Roma a Macondo en busca de la herencia de los Buend\u00eda. El encuentro entre dos extra\u00f1os de la misma sangre despertar\u00e1 al joven Aureliano Babilonia a la vida. Tras la tr\u00e1gica muerte de Jos\u00e9 Arcadio, volver\u00e1 Amaranta \u00darsula y aquel amor incubado desde la \u00e9poca del diluvio, a pesar de las advertencias de \u00darsula, engendrar\u00e1 un var\u00f3n con el que se cumplir\u00e1 la profec\u00eda donde las estirpes condenadas a cien a\u00f1os de soledad no tendr\u00e1n una segunda oportunidad sobre la tierra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>Ficha t\u00e9cnica<\/u><br>Nombre de la serie:&nbsp;<\/strong><em>Cien a\u00f1os de soledad<\/em><br><strong>Partes:&nbsp;<\/strong>2 y un episodio especial.<br><strong>Episodios:&nbsp;<\/strong>8 episodios (P1) 7 episodios (P2), Gran Final.<br><strong>Directores parte 2:&nbsp;<\/strong>&nbsp;Laura Mora ( E.1, 2, 5 6 y el Gran Final) y Carlos Moreno (E. 3, 4 y 7)<br><strong>Productores ejecutivos:&nbsp;<\/strong>Juliana Fl\u00f3rez Luna, Andr\u00e9s Calder\u00f3n, Carolina Caicedo, Laura Mora, Jos\u00e9 Rivera, Rodrigo Garc\u00eda, Gonzalo Garc\u00eda Barcha<br><strong>Cast segunda parte:&nbsp;<\/strong>Juli\u00e1n Rom\u00e1n (Jos\u00e9 Arcadio Segundo y Aureliano Segundo), Jorge Quintero (Jos\u00e9 Arcadio Segundo y Aureliano Segundo, versi\u00f3n joven), Claudio Cata\u00f1o (Aureliano Buend\u00eda), Marleyda Soto (\u00darsula Iguar\u00e1n), Mar\u00eda Adelaida Puerta (Amaranta Buend\u00eda), Martha Karina Hurtado (Rebeca Buend\u00eda), Obeida Benavides (Pilar Ternera), Emiliano Pern\u00eda (Aureliano Jos\u00e9), Ana Machado (Santa Sof\u00eda de la Piedad), Daniella Reyes (Remedios, la Bella), \u00c1ngela Cano (Petra Cotes), Licinia Alzate (Petra Cotes, versi\u00f3n mayor), Laura Taylor (Fernanda del Carpio versi\u00f3n joven), Carla Baratta (Fernanda del Carpio), Margarita Rosa de Francisco (Fernanda del Carpio version mayor), Sebasti\u00e1n Osorio (Aureliano Babilonia), Estefan\u00eda Pi\u00f1eres (Amaranta \u00darsula), Emmanuel Restrepo (Jos\u00e9 Arcadio \u201cel papa\u201d), Violetta Avenda\u00f1o (Renata Remedios &#8220;Meme&#8221;, versi\u00f3n joven), Juanita Molina (Renata Remedios &#8220;Meme&#8221;), David Palacios (Mauricio Babilonia) y Pedro Pablo P\u00e9rez (Mauricio Babilonia, versi\u00f3n mayor).<br><strong>Casa productora:&nbsp;<\/strong>Dynamo<br><strong>Escritores:&nbsp;<\/strong>Jos\u00e9 Rivera, Natalia Santa, Camila Brug\u00e9s y Mar\u00eda Camila Arias&nbsp;<br><strong>Directores de fotograf\u00eda:&nbsp;<\/strong>James Brown y Camilo Monsalve<br><strong>Dise\u00f1adores de producci\u00f3n:&nbsp;<\/strong>B\u00e1rbara Enr\u00edquez y Eugenio Caballero<br><strong>Dise\u00f1adora de vestuario:&nbsp;<\/strong>Catherine Rodr\u00edguez&nbsp;<br><strong>Directoras de casting:&nbsp;<\/strong>Yolanda Serrano y Eva Leira<br><strong>M\u00fasica:&nbsp;<\/strong>Camilo Sanabria y Juancho Valencia<br><strong>Editores:&nbsp;<\/strong>Miguel Schverdfinger, Lu\u00eds Carballar, Sebasti\u00e1n Hern\u00e1ndez<br><strong>Dise\u00f1o de maquillaje y peinados:<\/strong>&nbsp;Ana del R\u00edo&nbsp;<br><strong>Supervisi\u00f3n de efectos visuales:&nbsp;<\/strong>Jos\u00e9 Luis Orozco<br><strong>Locaciones de rodaje:&nbsp;<\/strong>Departamentos de Magdalena, Boyac\u00e1, Cundinamarca y Tolima en Colombia<\/p>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe class=\"zeen-lazy-load-base zeen-lazy-load\" title=\"Cien a\u00f1os de soledad | Los verdaderos testigos de Macondo | Netflix\" width=\"1300\" height=\"731\" src=\"about:blank\" data-lazy-src=\"https:\/\/www.youtube.com\/embed\/rHZMZJuiQsE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><noscript><iframe title=\"Cien a\u00f1os de soledad | Los verdaderos testigos de Macondo | Netflix\" width=\"1300\" height=\"731\" src=\"https:\/\/www.youtube.com\/embed\/rHZMZJuiQsE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript>\n<\/div><\/figure>","protected":false},"excerpt":{"rendered":"<p>La adaptaci\u00f3n de\u00a0&#8220;Cien a\u00f1os de soledad&#8221;\u00a0culmina su transici\u00f3n a la pantalla, llevando por primera vez a un formato audiovisual esta emblem\u00e1tica historia que ha marcado a distintas generaciones. Filmada \u00edntegramente en Colombia y en espa\u00f1ol, la serie cuenta con el apoyo de la familia Garc\u00eda M\u00e1rquez y con el trabajo de cientos de artistas, artesanos, t\u00e9cnicos y profesionales, colombianos mayoritariamente,\u00a0 que hicieron posible construir el universo de Macondo. Dirigida por&nbsp;Laura Mora, la inolvidable etapa final de la familia Buend\u00eda cobra [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5629,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","advanced_seo_description":"La adaptaci\u00f3n de\u00a0\"Cien a\u00f1os de soledad\"\u00a0culmina su transici\u00f3n a la pantalla, llevando por primera vez a un formato audiovisual esta emblem\u00e1tica historia que ha marcado a distintas generaciones. Filmada \u00edntegramente en Colombia y en espa\u00f1ol, la serie cuenta con el apoyo de la familia Garc\u00eda M\u00e1rquez y con el trabajo de cientos de artistas, artesanos, t\u00e9cnicos y profesionales, colombianos mayoritariamente,\u00a0 que hicieron posible construir el universo de Macondo.","jetpack_seo_html_title":"El Gran Final de\u00a0\"Cien a\u00f1os de soledad\"\u00a0ya est\u00e1 en Netflix","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"_joinchat":[],"footnotes":"","jetpack_post_was_ever_published":false},"categories":[29,42],"tags":[343,310],"class_list":["post-5626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretenimiento","category-tv-y-streaming","tag-cien-anos-de-soledad","tag-netflix"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/qrrevista.com\/wp-content\/uploads\/2026\/08\/CADS_S2-EP08-SCN78-16160_M_R.jpg?fit=%2C&ssl=1","_links":{"self":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts\/5626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/comments?post=5626"}],"version-history":[{"count":1,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts\/5626\/revisions"}],"predecessor-version":[{"id":5632,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/posts\/5626\/revisions\/5632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/media\/5629"}],"wp:attachment":[{"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/media?parent=5626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/categories?post=5626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/qrrevista.com\/es\/wp-json\/wp\/v2\/tags?post=5626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}